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Mud
THINKING: I set out to create some statues but along the way I discovered that I liked the effect of human eyes locked in the stone form so pursued that aspect further.
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AOP part 9: Coloured Gels
When I saw Maja's heel-less boots the first thing that came to mind was Devil's hooves. I instantly wanted to put her in a hellish red environment.
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Tillie (video)
"Nudes Deconstructed" - a short YouTube video discussion of an image.
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AOP part 8: Shaving
I had booked Maja for the workshop partly because of her bald look. It is really beautiful and quite rare.
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AOP part 7: Movement
Now, remember I said this was all natural light? Well the previous images were shot at ISO 1250 at f4.
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Simple abstract figure lighting
In this shot we skim across the torso both seeing the overall form and shape, but also the fine details of the texture of the skin and the downy hairs.
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AOP part 6: A Darker Portrait
On the very first set I shoot with anyone I always go through the same sequence of long shots, to medium, to tight portraits.
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Experimental Shoots: Body Paint, Serendipity and Leah
We were actually capturing full length and portrait shots in this wet paint shot, but I was fascinated by the small, abstract interaction and mixing of the paints.
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AOP part 5: Attitude
So this style of guidance lets me and the model move easily from genre to genre, theme to theme. I can say "give me some attitude" and we are in a different place.
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AOP part 4: Natural Light Serenity
Another simple window light portrait. Always look to the lighting on the face first. See here how we have perfect Rembrandt lighting on the face.
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