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AOP part 55: Symbols
I've talked earlier about the role of props in shots and how they should be symbolic. In this case the symbol is about as unsubtle as you can get!
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AOP part 54: Different Angle
As I said, the vertical hanging shots were difficult in the location, but this much lower shot I really like.
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AOP part 53: Aerial Ropes
Well of course those trapdoors where placed for a reason! And it just so happens that Maja is a trained aerialist!
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AOP part 52: Floortraits
I love the word "floortrait" - it is basically a portrait where the model is lying on the floor. It joins in my lexicon with the made up word "fasmati" which means a post on social media that implies something dramatic without giving any details.
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AOP part 51: The Larger Scene
In general I advise always getting closer, filling the frame with your subject. But sometimes your image is actually the larger environment and your model is only an element within it.
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AOP part 50: Exuberance
There are two kinds of models in the world, those that can pull this kind of shot off and those that can't.
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AOP part 49: Masks
Masks can be really great props, they instantly add a little mystery to a headshot. However many masks have eye holes which are too small, leaving the eyes obscured.
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AOP part 48: What to Shoot for Fashion
Over the many fashion catalogue shoots I've done I've realised that you must always check the back of the outfit.
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AOP part 47: Giant in a Small Room
There is this very tiny room at the location and I thought it would be fun to make Maja look like a giant.
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AOP part 46: This one didn't work
Compositionally it was what I wanted. Technically I got exactly the right mix of light and dark and a natural vignette.
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