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Constrained Spaces
THINKING: If you keep plonking your models in front a plain photo backdrop - just like 99% of all other photographs - how do you hope to create something different?
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Breaking the Pose
THINKING: You can't ask a model to pose "gay abandon". This just would not work. Instead you must create a setting in which the model can freely move and express that moment.
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Body Image 4
THINKING: To finish off this short segment I want to mention briefly the media and its relationship with body image.
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Water
THINKING: When shooting water you really need to consider how you want the water to be represented for the particular concept you have in mind.
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How to make a model look vulnerable
THINKING: A girl in a shirt is always a great image. There is something about bare legs below the shirt that are sexy.
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Voyeur
THINKING: I often work to conceptual series. This image is from a series I title in my head "Voyeurism".
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Texture Contrasts
THINKING: Stairs can be great places to shoot because they give the model so many posing opportunities.
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Telling a Story
THINKING: I strongly favour what I call the "film direction" method of posing. That is I give the model a story and a scene and let them act into it.
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Symmetry
THINKING: This location looks very busy in the final image - but on arrival there was even more stuff spread around than you see now!
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Strong Backgrounds
THINKING: This image was shot on location in a night club. There were many spaces with interesting decoration around the club.
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Simon Q. Walden | FilmPhotoAcademy.com
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