triangles study nude mask becomes Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

Anonymity 1: Strength

THINKING: As soon as we show a face in an image then it becomes a portrait. It becomes a study of the person.

senses fur additional physical motion Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

Additional Senses

THINKING: Photography is a visual medium. But if we can infer additional senses then we can build a stronger image.

Wrapped

THINKING: I wish I had an industrial sized vacuum wrapping machine - I have thought I could achieve some great shots with vacuum wrapped models!

Contrast

THINKING: On a wet and cloudy day I wanted to create an image about basking in the sun. The classic photographer's problem - an image in mind and weather that won't co-operate.

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Constrained Spaces

THINKING: If you keep plonking your models in front a plain photo backdrop - just like 99% of all other photographs - how do you hope to create something different?

screen zara pose music model Simon Q. Walden, FilmPhotoAcademy.com, sqw, FilmPhoto, photography

Breaking the Pose

THINKING: You can't ask a model to pose "gay abandon". This just would not work. Instead you must create a setting in which the model can freely move and express that moment.

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Body Image 4

THINKING: To finish off this short segment I want to mention briefly the media and its relationship with body image.

Water

THINKING: When shooting water you really need to consider how you want the water to be represented for the particular concept you have in mind.

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How to make a model look vulnerable

THINKING: A girl in a shirt is always a great image. There is something about bare legs below the shirt that are sexy.

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Voyeur

THINKING: I often work to conceptual series. This image is from a series I title in my head "Voyeurism".

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